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Jeanine Michna-BalesWading Prior to Blackness. Grant Parish, Louisiana2014
2014
About the Item
Edition of 9
Signed, titled, dated and numbered by Jeanine Michna-Bales
Digital C-print
Paper size: 21 x 28.5 in., Image size: 17 x 24.5 in.
From the series, Through Darkness to Light: Photographs Along the Underground Railroad
Michna-Bales’ work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic — considering different viewpoints, causes and effects, and political climates — and often incorporates found or archival text and audio into her projects.
Whether exploring the darkened stations along the Underground Railroad, long-forgotten nuclear fallout shelters, or the invisible epicenters of environmental turmoil, her work seeks out places that are hidden in plain sight, each with its own story begging to be told and lessons waiting to be shared.
Images from her Underground Railroad series have appeared in group shows around the United States, including Moving Walls 23: Journeys at Open Society Foundations in New York City and Southern Exposure: Portraits of a Changing Landscape at MOCA Jacksonville. Her work has also been featured in numerous online blogs and publications, including In Sight by The Washington Post, a broadcast special on the Underground Railroad by NBC in Washington D.C., Transition from Harvard University, Geo Historie, Lenscratch, and Wired Raw File. A publication of the Underground Railroad series, Through Darkness to Light, will be released in February of 2017 by Princeton Architectural Press and will be part of a traveling exhibition that will tour throughout the U.S. and Canada for five years. Michna-Bales was most recently awarded the 2016 Documentarian of The American South Collection Award from the Archive of Documentary Arts at Duke University. She was given the top Portfolio Review Prize at PhotoNOLA 2015, resulting in a solo show at the New Orleans Photo Alliance Gallery during PhotoNOLA 2016. She was also part of Critical Mass Top 50 of 2014, among other awards and honors.
- Creator:Jeanine Michna-Bales (1971, American)
- Creation Year:2014
- Dimensions:Height: 21 in (53.34 cm)Width: 28.5 in (72.39 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:16 1/2 x 22 in., Edition of 12Price: $1,70025 x 36 in., Edition of 8Price: $4,400
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2158494042
Jeanine Michna-Bales
Jeanine Michna-Bales is a fine artist working in the medium of photography. Her work explores our fundamentally important relationships – to the land, to other people and to oneself – and how they impact contemporary society. Her work lives at the intersection of curiosity and knowledge, documentary and fine art, past and present, anthropology and sociology, and environmentalism and activism. Her practice is based on in-depth research – taking into account different viewpoints, causes and effects, political climates – and she often incorporates primary source material into her projects. Michna-Bales’s work is in many permanent collections including Archive of Documentary Arts, Duke University, Durham, NC; Harn Museum of Art, University of Florida, Gainesville, FL; Lehigh University Art Galleries, Bethlehem, PA; Library of Congress, Washington, D.C.; Louisiana State University, Hill Memorial Library, Baton Rouge, LA; Museum of Fine Arts, Houston, TX; Portland Art Museum, Portland, OR; Princeton University Art Museum, Princeton, NJ; The Nelson-Atkins Museum of Art, Kansas City, MO; The Phillips Collection, Washington, D.C.; The University of Texas at Dallas, Richardson, TX; and University of North Texas, Denton, TX. Her work has been featured in numerous publications and online blogs, including BBC World News, CityLab from The Atlantic, Dallas Morning News, DCist.com, Feature Shoot, Geo Historie, Hyperallergic, In Sight by The Washington Post, In the In-Between, Los Angeles Times, Lenscratch, Musée Magazine, NBC4 Washington D.C., New York Times Lens Blog, Orion Magazine, O The Oprah Magazine, Oxford American Eyes on the South, pdn Magazine, Smithsonian Magazine, Spot Magazine, Transition from Harvard University, UK Daily Mail, Virginia Quarterly Review, WABE 90.1 Atlanta’s NPR Station, WCPN-NPR and WVIZ-PBS ideastream Cleveland, Wired Raw File, Zoom Magazine, among others. Including other honors, her work was selected for the 2016 Documentarian of The American South Collection Award from the Archive of Documentary Arts at Duke University. She was awarded the top Portfolio Review Prize at PhotoNOLA 2015, resulting in a solo show at the New Orleans Photo Alliance Gallery during PhotoNOLA 2016. Michna-Bales was named to the Critical Mass Top 50 in 2014 and in 2017. She conceives and presents her projects in a way that spark curiosity about a given subject and encourage discourse among audiences of all backgrounds. Whether exploring the darkened stations along the Underground Railroad in Through Darkness to Light: Photographs Along the Underground Railroad (2002 - 2016), a campaign trail for women’s votes in Standing Together: Inez Milholland’s Final Campaign for Women’s Suffrage (2016 - 2020), long-forgotten nuclear fallout shelters in Fallout: A Look Back at the Height of the Cold War in America, circa 1960 (2013 - present), or the invisible epicenters of environmental turmoil through the project Terra Fractura: A Visual Survey of Manmade Earthquakes (2015 - present), her work seeks out places that are hidden in plain sight.
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